The Boarding House by Piotr Paziński
Polish fiction
Original tilte Pensjonat
Translator – Tusia Dąbrowska
Source – Personal copy
I’m going to start to work through some of the many Dalkey Archive books I have brought over the last few years, just a drop in the ocean of what they have published. According to Chad Post, there is well over 1000 title that has come out over the many years the press has run. He is currently putting together that list, and in the meantime, I will cover what I. have. This one jumped out for two reasons it was a European Union book prize winner, an odd book prize that has had several books over the years I have read. The other fact was that Piotr Paziński is a Joyce fan. He has written two books around James Joyce, one a cultural map of Joyce’s Dublin. The other fact os he is editor-in-chief of the Jewish magazine Midrash. This was his debut novel. He has written another since both have been translated into English and are set in the Polish Jewish world. Here we find a grandson heading home to where his grandmother used to live.
IN THE BEGINNING, there were train tracks. In the greenery, between heaven and earth. With stations, like beads on a string, placed so close together that even before the train managed to accelerate, it had to slow down in preparation for the following stop. Platforms made of concrete, narrow and shaky, equipped with ladders and steep steps, grew straight out of sand, as though built on dunes. The stations’ pavilions resembled old-fashioned kiosks: elongated, bent awnings, and azure letters on both ends, which appeared to float on air,
I’ve always enjoyed peering at them, beginning with the first station outside the strict limits of the city, when the crowded urban architecture quickly thins out and the world expands to an uncanny size.
The opening as he is on the Train
The book opens as he is on a train, that echo of earlier trains but also his childhood as he starts to count down the stops as he heads back in Journeys through Poland people had made as he sees the stops he had many years earlier also gone past to visit his grandmother at the Pesjonat (boarding house for the old). He is visiting for one last time to see the ghost of the Boarding house but living and dead; as he gets there, he meets two women he vaguely remembers. One talks to him, but the other her mind is gone as they talk about his grandmother and her time in the house. They are all Holocaust survivors like his Grandmother, but age has caught up on them. Even the house itself is caught up in time. He wakes and looks at the stained ceiling of the house. He meets those who remain the doctor, the director. As he drifts back and forth through time as he tries to remember his late grandmother those summers, they also draw him back into those pre-war and war years, and being Jewish is a sort of last call of these memories to pass them on to the next generation.
“Do you see? And how can you talk to her? She’s lost it completely! Do you understand? This is impossible!” She held me under my arm.
“She knew your grandmother, you know?” she didn’t stop talking. She dug into my arm and told me to turn around as if she wanted to go back to the house already. “She remembers everything very well, but right now she isn’t doing so well. She’s lost her mind a little.”
She stopped to size me up properly.
“Why did you come? For the company? Almost no one is left here, each week they’re taking someone. I also don’t know how long I will stick around. And the young ones aren’t eager to come, so what will you do here? It’s boring to be around old people. Come, you will walk me upstairs now.”
We tottered down the path. The doors were open.
Meeting people that knew his grandmother well but are dying out or forgeting her.
This book tackles being Jewish now in Poland, a smaller community but one heavily tied to the past, but this is the point the guard is changing those last survivors are dying, and the world they grew up in and that past is in a generation now gone. I remember meeting Aharon Appelfeld the Romania – Israeli Jewish writer he was at the IFFP the year he won the prize to briefly chat and hear him talk was an opportunity that is rare these days as so few survivors left. I was also reminded of the words of Dasa Drndric forget this happening, and you open the door to it happening again! But the main thing in this book is a personal feeling. This may be Piotr’s journey on the train, a relative living in the country, or as he said to his translator, the Borsch belt that made me smile. These houses are typical in the middle European countryside, and as it says, this community of survivors’ stories needs protection. A book that has a whiff of folk tales to it as we see a man drift through time. My only complaint is that it could have been a bit more beefed out.
Winstons score -A solid book would have loved a little more!