With an unopened umbrella in the pouring rain by Ludovic Bruckstein
Romanian fiction
Original title – Mitriya Sgura BeGeshem
Translator – Alistair Ian Blythe
Source – review copy
This is the second work by Ludovic Bruckstein I have reviewed he was a Romanian writer who had disappeared from the Romanian cannon of writing as he left Romania to live in Israel where his brother had settled just after the second world war in the late ’40s. SO in 1970 when Ludovic Bruckstein decided to leave the communist government wiped his works from the country. Bruckstein became a writer after the second world war he grew up in the Town of Sighet where the stories in this collection are set. He was inspired to write by the story of the sonder Komando uprising in Auswitchz which formed his first work a play called Nightshift. He like the rest of his town was sent to Auswitchz in May 1944 as they all went on four trains of his family there was just Ludovic and his brother survived of the 13,000 jews of Sighet only 2000 lived.
Hersch-Leib was a porter from an early age. “I worked in transportation” he wes leter went to say.
He was always cheerful, enterprising, born into a farming family, with numerous siblings, he was never one to twiddle his thumbs waiting for his mother to put food on his plate. He went out to earn his bread.
A man tht drag himself up from the bottom upwards.
The trap was also set in Sighet what he does with these stories is keep alive the spirit of the town at that time as his son said in an interview the town was very cosmopolitan in the pre-war time a mix of people from lots of places and lots of religions. These stories start with the Sabbath and the bargemen and the blacksmith of the local town in the title story. Then in other stories we hear of Hersch Lieb the local porter who grows his business from a young age, he also appears in a later story as a businessman who regularly comes to the town with his large family opts for three stale rolls to make his penny go further Avram opts for the harder sale rolls. Then We have Chaim rives a man with no fear poor but broad-shouldered and healthy a loner of a man that never got conscripted in both wars but in May 44he took his life rather than go on the train. The stories mostly end with the sad day the jews of Sighet left on four long trains as it is put 70 in each carriage 43 carriages to each of the four trains take the town to their death. One of the different stories involves the Italian troops that came to stay in the town which at the time was a hub for the railways they sing, play their mandolins, and lighten up the town in comparison to the Hungarians and German in the town. This is just a glimpse of the tales of the town never to be the same after those trains leave.
Chaim rives was afraid of nothing, He wasx afraid of nothing hard work, nor illness, nor the bad dogs in poeople’s yard, nor dreams, nor ill omens, these was only one thing alone of which he was terribly afraid; tomorrow. He gladly endured hunger today, so long as he knew that tomorrow he would have something to eat,
This fear probably came from childhood, when he had never enough to eat. His mother was a washerwoman with large number of children and a large amound of laundry to wash. He couldn’t remember his father. Nor did his mother ever speak to him of the other children about their father: maybe she had forgotte, maybe she didn’t have the time, maybe there was no point.
From the story the fear one of my favourites in this collection.
Ludovic sin says in the interview here with Susan from Istros Books and also in a piece for Calvert Journal. That his father always told him stories of his hometown in those pre-war years. This collection reminded me of the lost world we met in Grigory kanovich book Shelti love song set in another Jewish community that isn’t there anymore. Ghost lift of the page as you read of the character that lived in the town before may 1944 before the train left and 11000 souls lost their lives in the Auswitchz. I always say we can never have enough stories that make us remember the holocaust but also where hate can lead. The book is also illustrated by his son who has done drawing for each story. As his som said his father was a realist and unlike Wiesel who he said how could this happen ?, where has God been? Bruckstein knew Wiesel in fact they grew up and went on the same train to Auswitchz two voices of the lost town. A writer worth being rediscovered he brings this town alive with it characters that jump off the page Bruckstein gives the voice to these ghost from the highest to the lowest in the town. Have you read either of his books to be translated?