Agnomia by RÓBERT GÁL

 

 

 

 

 

 

 

 

 

Agnomia by Róbert Gál

Slovakian fiction

Original title –  Agnómia

Translator – David Short

Source – Personnel copy

I had ordered this book last year as the description of it grabbed me as it was One long, unbroken paragraph, blending, memoir, fiction and philosophy. That description grabbed me plus when I read an interview by Frank Garrett with Gal about his use of Aphorisms in his books. Gal has lived in New York, Brno, Berlin and now Prague all these crop up in this book. He has had two earlier books translated to English this is his third book to be translated to English with a fourth to come out this year, Gal has said of his writing he writes in condensed form, in fragments, in aphorisms, and in blocks. This book is 70 pages long and follows a writer called Robert Gal from New York back to Europe.

We’re in New York, she repeats, and the words reflects states of different worlds like cannabine wafts of neat tomorrows from dug-up todays.We need to pinch ourselves to believe. She’s looking at me with that serpentine gaze of a young Prague intellectual who has come to New York at her parent’s expense to seek analogies between this and that and to talk twaddle. There’s a pile of books on the desk from which she would be forever copying out bits and pieces. Once she took me to a pseudo-intellectual hellhole to meet some feminists. The whole ambience had me feeling quite sick.

I remember night in Germany in the late 90s like this before the internet when the books we read mattered more than titbits of books.

The book opens as Gal is the lone Slovak in a group of Czech and Slovaks in 1993 where he met Eugene at a party a brief encounter but he tells us about riding pillion with a girl there discovering complete works of Stravinsky, Schoenberg and Beethoven stories like Mike Patton who encourage people that spat at him in concert by telling them to spit more. that drift into a female photograph doing nudes and a sid story of Kant pissing on the stage. Time is intersped as we drift forwards and back marks like Yeltsin’s death music he liked such as John Zorn’s Six Litanies for Heliogabalus a piece that features Mike Patton a sort of looping back in time. Too see Zorn play live his self the Zorn connection is one that rings true about this book.

an, say, a Slovak, as a Slovak, feel democratic anywhere other than in Slovakia? And this leads consquently to other questions, which , once one has mentally posed them and immediately answered them, lead to a gradual appreciationof why most citzens of small, insignificant countries remain struck in them as if there were no other option.It isprecisely in small and insignificant countries that we encounter writers who take it for granted that hey are reproducers of reality, but why reality needs to be reproduced rhey don’t reveal. Claiming – as we do -that reality shouldn’t be artistically reproduced but produced, we also should probably seperate “Work of art” from “art” .

Here he hits the nail on the head about his homeland and the place in the world but also maybe his voice is a new one that needs to be heard .

Zorn is an avant grade experimental saxophone player that has overridden genres in the styles he has chosen to play over the year and this in the Narrative form is what Gal is trying to do. We talk a lot about the current rise of Autofiction. But for me, there has been another slow rising style of writing that has been around but that last few decades has been growing a genre-defying sort it has its leader in a writer like Sebald, Bernhard, Magris even earlier Emil Cioran. In recent times books like river and Panorama all do similar mixing memories of a time, dreams and places into one narrative that is about what is being for one person where it is a trip to the center of Europe or a river remind one of another river and time. Here Zorn and his singer of choice Patton link from Prague to New York many a similar link her in Gals work that mixes his experiences with small philosophies on life. This book is like free form Jazz drifting unprepared startling and compulsive reading. Another challenging writer from Slovakia I have read three books from there in the last few years they are showing literature finally coming out of the shadow of Czech literature with a new twist on the Mittel European work that like Bernhard is sometimes just thrown on the page in one long paragraph.He has a good website here .

Have you a favorite Slovakian writer?

 

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