Fish have no feet by Jon Kalman Stefansson

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Fish have no feet by Jon Kalman Stefansson

Icelandic Fiction

Original title – Fiskarnir hafa enga fætur

Translator – Philip Roughton

Source – Review copy

So I reach the final post of this years Man Booker journey , with one of my favourite writers and a writer that has been on the longlist for the old iffp . Jon Kalman Stefansson is another of those talent Icelandic writers. This is also the first time he has tackled a more modern-day Iceland than before in his books the earlier two I reviewed were from his trilogy Heaven and Hell and The sorrow of angels . Like his earlier book it also involves family and  but in a more personnel way than before.

I mean no disrespect , but ari is the only person who could have dragged me back here , across  the expanse of black lava that ground to a painful halt hundreds of years ago, naked in places, but elsewhere moss has softened and soothed it, clothed it in silence and serenity; you drive out of Reykjavik past the long aluminium smelter and into the lava, which at first is an old scream , and then moss-covered silence .

Ari returns to a changed place with his friend !!

This is a journey into the heart of what is modern Iceland told through two generations of the same icelandic family . The first is Ari in the present but also his childhood years  on the seventies and eighties . He has arrived home from Copenhagen and  is remembering his childhood in the town of Keflavik , a town that is home to the huge Us airbase NASKEF that was in use til 2005 , this also had like many airbases there is a ripple effect this is seen through Ari memories of his childhood of trying to grow up in the Iceland of the day which wasn’t the one we know but on the way and being tinged by America .Then Nordfjordur is the setting for the second tale a small fishing village cling to the land and the story of Ari grandparents is a tragic love story . This is juxtaposed by the modern marriage of their grandson. This is a story of nation that has changed so much in two generations .

We walk past the january 1976 bar , from which two middle-aged woman emerge , lighting cigarettes before the door shuts behind them, shuts on Rod Stewart singing “Maggie May” inside, It’s evening and we’re tipsy from the red wine and whisky we drank at the hotel and we walk down Hafnargata street, which is far tidier now than in the past, when we first walked down it with Asmundur ; Mayor Sigurjon has done a good job cleaning things up.

I liked this passage as it was as thou past, present we’re one leading me to think the narrator wasn’t in the present just the past !

Now it is hard not to see Ari in some part as being a veiled version of the writer himself , there is points when he talks about the eighties and growing up the music he listen to you feel him looking at his own collection of music and life , Like Ari Jon Kalman spent time in Denmark and also grew up in Keflavik. He has managed to writer a semi biographical novel using Ari but not as ari but more as a friend of him that is the narrator of the story, I was reminded of tv shows of recent years that use a detached voice as the narrator for the series , especially the recent netflix series thirteen reason why  which like this recounts past events in the present. Also Desperate housewives   where the whole series was told by a woman who was dead at the beginning of the book.Is this unnamed narrator an actual person or a lost friend of Ari that is long gone. In some ways this is maybe his answer to the likes of Knausgaard writing less of rooting in ones own past and pouring it on the page for every one to read no this is a carefully picked version of his history and how it feels to return home and remember what you like because the black side is there but isn’t what we remember this is the sense of drawing what was best in someway in your childhood.This is more personnel than his  earlier books which means it is maybe a harder read but more accessable

May 2017
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